Like the family sitcoms of yore, See Dad Run offers its share of heartfelt life lessons. When his show’s run concludes, David becomes a stay-at-home dad to his three kids to allow his wife, Amy, a former soap-opera actress, to resume her career. This Scott Baio vehicle, Nick at Nite’s first original scripted comedy, features the typical bumbling-father fare, but this father, Baio’s David Hobbs, bumbles because for 10 years he starred as the patriarch on a popular family sitcom and thus wasn’t around to raise his own children. (Think courting eviction by throwing parties and holding prank wars.) Through Nickelodeon’s partnership with Columbia Records, the band, cobbled together after a large-scale nationwide casting effort, also fills corporate coffers with studio albums and touring. ![]() ![]() They live in Palm Woods, a residential hotel for aspiring young entertainers, where they are surrounded by a steady stream of love interests in a setting ripe for outlandish hijinks. Despite being the primary caretaker to four kids, Jessie still finds time to go on auditions.Ībout to enter its fourth season, Nickelodeon’s BTR follows four hockey players from Minnesota who form a boy band and move to Hollywood to try to make it big. The show was created by Pamela Eells O’Connell, who wrote for Charles in Charge and was later co-executive producer of The Nanny she is clearly working this sub-genre for all it’s worth. Their children are biological teenage daughter Emma tweens Luke and Ravi, the former adopted from Detroit, the latter from India and second-grader Zuri, adopted from Uganda (her name brilliantly evokes two of the world’s most famous celebrity spawn, Suri Cruise and Zahara Jolie-Pitt). The mostly-absent/borderline neglectful parents are a famous film director and a former supermodel. The title character is a Texas teen (played with goofy charm by Sweet Life on Deck alum Debby Ryan) who moves to New York to make it big as a singer and actress and falls into a job with the glamorous Ross family. If you could imagine, say, Brad Pitt and Angelina Jolie handing over their diverse brood to a teenager with no nannying experience, then the premise of the Disney Channel’s Jessie will strike you as perfectly reasonable. Until then, here is a brief guide to help you distinguish the celebrities and the wannabe celebrities from the kids of celebrities and the attention-seeking dog currently populating the airwaves. But critics have observed a renaissance in children’s programming-which includes shows on Disney and Nick meanwhile, it's now commonplace to suggest that scripted television for adults has surpassed film in terms of originality and risk-taking.īut a rising tide apparently does not lift all boats: the networks’ tween sitcoms are, on the whole, contrived and uninspired. Farm, is set at the Advanced Natural Talent high school program, and the characters are all child prodigies other than the family comedy Good Luck, Charlie, you’d be hard-pressed to find a Disney show featuring ordinary kids.) I watched plenty of bad TV growing up long after I should have known better, I still preferred Joanie Loves Chachi to MASH. (One of the few exceptions, Disney’s A.N.T. There was Disney’s Jonas L.A., which saw the Jonas Brothers playing pop stars moonlighting as secret agents Disney’s Sonny With a Chance, which starred Demi Lovato as a teen who lands a role on her favorite sketch comedy show Nickelodeon’s Victorious, which centered on an aspiring singer (Victoria Justice) at an elite performing arts school and Nickelodeon’s iCarly, which starred Miranda Cosgrove as Carly, the creator and star of her own popular web series.Īmong the series currently in production, tinkering with the kids-and-fame formula is still the order of the day. ![]() Some of the Hannah Montana-inspired shows have already come and gone. What’s unsettling about many of the shows that have come along since is that the narcissistic courting of fame and attention is central to the characters’ existence, making them a sort of fictional counterpart to the ever-younger contestants on reality competitions like American Idol and The X Factor. The conceit of the program had Cyrus’s character striving to live a normal life by concealing her celebrity from all but her family and her most trusted friends. On Hannah, Miley Cyrus played Miley Stewart, typical student by day, bewigged pop sensation Hannah Montana by night. But Disney’s massively successful flagship series ended its run in early 2011, leaving the network and its chief rival, Nickelodeon, to cast about for new shows to inherit the mantle. If she’d been born a few years earlier, I would have probably been facing a Hannah Montana situation.
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